- June 2003
- August 2003
- October 2003
- November 2003
- December 2003
- January 2004
- June 2004
- July 2004
- August 2004
- September 2004
- October 2004
- December 2004
- February 2005
- March 2005
- April 2005
- May 2005
- June 2005
- August 2005
- December 2005
- February 2006
- March 2006
- May 2006
- June 2006
- July 2006
- August 2006
- September 2006
- December 2006
- January 2007
- April 2007
- July 2007
- August 2007
- October 2007
- November 2007
- December 2007
- January 2008
- March 2008
- June 2008
- July 2008
hmph.
Comments:
Post a Comment
02 August 2004
finally started that dream journal. four nights running strong. right upon waking, work it all out, get it down. the reason behind this, is, i feel like i have another life, a really rich and amazing life, that is all but lost to me in my waking state. i would like to be whole, and really know whats going on with me. how pretty can i think?
heres a good one form last week, predreamjournal era, so i can comfortably put it down here without fear of repetitous creativity:
worked out reversed time.
its always bothered me, that to make something happeneing backwards comprehensible, little parts of it have to presented forwards; that is, if you tell a story in reverse order, all the little scenes still run forward. if you write a sentence backward, all the individual words still read forward; and even if the words are spelled backwards, well still the letters are forward. and if you mirror image the letters, well then the whole thing is just incomprehensible unless you read it backwards, and thus forwards.
but ho ho, figured it out! i was in the ballroom of my dream cruise ship, which is much vaster and more purple then the real ship. i had giant geometric canvases and banners streaming about the place, almost ready for the big show, giant rectangles of orange and brown arranged in a challenge. the presidents were coming- reagen, clinton and kerry.
i had two hologram projectors on opposite sides of the room. the projection was a scene involving the three presidents, and some others in tuxedos, in rainwater trenchcoats. and streetlights, and a train. a noir chess dance. and heres the trick: the second projector was projecting a time/space mirror image of the first; so two scenes were playing out on the stage. but my moving the projectors just subtlely so, the images came closer, and when the two images were placed exactly on top of each other, the holographic bodies became these wild blurs of human essence. by overlapping the two timelines, past to future and future to past, the resonance created a timeless scene of noncausation and real truth, which we all watched over bloody marys. extra celery.
see?
heres a good one form last week, predreamjournal era, so i can comfortably put it down here without fear of repetitous creativity:
worked out reversed time.
its always bothered me, that to make something happeneing backwards comprehensible, little parts of it have to presented forwards; that is, if you tell a story in reverse order, all the little scenes still run forward. if you write a sentence backward, all the individual words still read forward; and even if the words are spelled backwards, well still the letters are forward. and if you mirror image the letters, well then the whole thing is just incomprehensible unless you read it backwards, and thus forwards.
but ho ho, figured it out! i was in the ballroom of my dream cruise ship, which is much vaster and more purple then the real ship. i had giant geometric canvases and banners streaming about the place, almost ready for the big show, giant rectangles of orange and brown arranged in a challenge. the presidents were coming- reagen, clinton and kerry.
i had two hologram projectors on opposite sides of the room. the projection was a scene involving the three presidents, and some others in tuxedos, in rainwater trenchcoats. and streetlights, and a train. a noir chess dance. and heres the trick: the second projector was projecting a time/space mirror image of the first; so two scenes were playing out on the stage. but my moving the projectors just subtlely so, the images came closer, and when the two images were placed exactly on top of each other, the holographic bodies became these wild blurs of human essence. by overlapping the two timelines, past to future and future to past, the resonance created a timeless scene of noncausation and real truth, which we all watched over bloody marys. extra celery.
see?